I have been making fine art ceramic tiled murals and smaller works for over 30 years. In varying styles from representational to abstract, my work is done in bold dynamic design and brilliant color. The sculpted high relief ceramics creates flowing reflective surfaces that are tactile and soothing. I want and try to achieve art that heals and calms. My pieces often serve as focal points in homes, offices and public places.
I have been asked why I chose to be a ceramic artist, to create “paintings” in ceramics. I started as a teen-ager working in clay, and although I do paintings and watercolors, I always come back to the earth elements. It takes a long time to sculpt the clay, layer high relief, firing and glazing multiple times. I use that time to focus attention on each process of design, whether the work is a commission or for myself.
"Bring the outside in," is a quality I often ascribe to my work. Ceramics is of the earth, in substance, form, and color. All of my inspiration comes from my experience of nature, and when I work with a client, I work to uncover theirs and bring it to the work.
The addition of high relief to works made to hang on the wall is a key component of the overall feeling of my work.
I start with a sketch of the subject which is then transferred to a slab of clay, refined, fired to bisque, and glazed. It is usually then mounted on wood for hanging
When working on a commission I start with understanding my clients' needs and vision. From there, I create a customized plan and work closely with the clients to ensure their satisfaction every step of the way.
Architectural tile designs are often large, in high relief, and intended to be a focal point for an entrance, in a room or a patio, a lobby or any interior.
This is an unusual art form. Something different, a combination of the visual complexity of color and form and the permanence and tactile quality of ceramics.
Wall tile designs are often large, in high relief, and intended to be a focal point in a room or a patio, a lobby or any interior.
Sometimes clients desire the work mounted so it can be moved, others want it permanently affixed to the wall.
The scope of the large mural is wide - Susan's imagination working with a client's idea can result in a truly amazing work of art.
I am often asked to illustrate a vista, locale or a building with special meaning for the client. In the impressionistic style I often use. the artwork can have deep significance and relevance for them.
Finding distilling this is an important part of every work for a commission.
Small animals and birds frequently appear in Susan's work. These are exquisite stand-alone pieces, but they could just as easily become a frieze or part of a larger artistic grouping, perhaps even framed in a shadow box.
These smaller tiles are for accents, part of a frieze or a surround. They also stand alone as art for the wall or the design can be incorporated in a larger mural.
In particular, these show some of the influence the French Impressionists and the American Arts and Crafts Movement have had on Susan's work. These are smaller works intended to be art for the wall or architectural elements, including friezes, surrounds for fireplaces, window or door openings or part of a larger mural theme.
Many clients want something very unique and personal. yet they come to me with only a sketchy idea of what that looks like. Maybe it’s an aquatic or floral theme, a memory of a special place or a fascination with a favorite animal, like sea turtles. When the design leaves the representational and moves into the abstract, it can really begin to sing.
'Ocala Butterfly"
Two High relief ceramic tile murals on wall in residence
"Ocala Butterfly"
Two High Relief ceramic tile murals
"Toucans"
High Relief ceramic mural on building exterior
"Tropical Reef"
High Relief ceramic mural in master bath of estate
"Angel Fish"
High Relief ceramic mural on building exterior
"Angel Fish"
High Relief ceramic work on building exterior
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